Giving up ‘cripping up’
In 2014, Bradley Cooper – an able-bodied white man – was met with rave reviews for his performance in The...
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Arts
“It was real, gritty and understated”: a review of ‘Concubine’
Nishat Uddin
Mar. 1
“The entire cast performed practically flawlessly”: review of ‘Guys and Dolls’
Jasmine Parker
Feb. 28
A response to ‘Freedom of expression in art does not excuse offending religion’
Rhys Clarke
Feb. 27
Straightwashing weakens queer representation
Mischa Alexander
Feb. 26
“It’s big, bold, ambitious”: preview of MTW’s ‘Guys and Dolls’
Jessie Kolvin
Feb. 24
A call to modernise theatre and cinema
Greta Csernik
Feb. 23
“Endearing and quick-witted”: review of RSC’s ‘As You Like It’
Rhys Clarke
Feb. 22
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- 1Natasha, Pierre, and the Great Comet of 1812 makes its UK debut at the Donmar Warehouse
- 2“A step on from anything you have seen”: Motionhouse’s Daniel Massarella on Hidden ahead of its Warwick Arts Centre premiere
- 3A campaign against AI: What can artists do to protect their work?
- 4Spotlight on Ana Mendieta: Celebrating female artists
- 5A dark fairy tale: The Red Shoes arrives at the Royal Shakespeare Company
- 6Lord of the Flies reigns supreme in the Warwick Arts Centre studio
- 7A celebration of art in all its form: How the revival of the Warwick Student Arts Festival brought a summer of joy to campus
- 8The Claudia Winkleman effect: The Traitors and country gothic
- 9Threads of time: Party girls and paparazzi, the high fashion origins of Y2K
- 10Root, form and body: an exploration of the Peggy Guggenheim Sculpture Garden