Will 2020 be the year we see a revolution in women’s art?
Amber Bentley explores the representation of women in the art industry and suggests how 2020 could see a revolution in female art.
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Arts
Opera Warwick’s ‘The Bartered Bride’ is kicking elitism out of opera
Lydia Atkins
Feb. 21
Arts funding is vital – but not enough is being done to foster creativity
Noah Keate
Feb. 17
Lost treasures by Van Gogh and Klimt: stolen art and how to recover it
Lucy Martin
Feb. 16
“Exciting, musically charged and heart-warming” a review of the Belgrade’s ‘Crongton Knights’
Rhys Clarke
Feb. 12
A phenomenal success: a review of ‘The Prince of Egypt’
Reece Goodall
Feb. 10
Review of Warwick Comedy’s new sketch show Telly Time
Rhys Clarke
Feb. 5
Gripping, hilarious and gut punching: ‘How to Disappear’ is a must-see
Abigail Hughes
Jan. 30
Top Content
- 1Singing, screaming and soliloquies: spotting Shakespeare in modern culture
- 2Fennell on Brontë: a modern adaptation of accidental miscasting or of purposeful multi-ethnicity?
- 3The Eurocentric fashion capitals of the world: Are they outdated?
- 4Hamlet by Shakesoc x WUDS – Review:
- 5Ever After or Change: Review of MTW’s Into the Woods
- 6What is the Point of Minimalist Art?
- 7Opera Warwick’s Candide – Review:
- 8“What can you see? Tomorrow?”: A Review of the RSC’s The Boy Who Harnessed The Wind.
- 9Spotlight On Jacqueline Durran’s Costume Design
- 10Childish Things review: Exploring the Joys of a Younger Past