A post-lockdown cinema trip
Alice Standen gives a first-person account of what cinemas are like post-pandemic, offering insight into what has improved about the cinema and what has done the opposite.
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Film
Alan Menken achieves EGOT status
Reece Goodall
Jul. 29
Review: ‘Eurovision Song Contest: The Story of Fire Saga’
Luke James
Jul. 28
Review: ‘Disclosure’
Katie Hoggan
Jul. 25
Last Night I Watched: ‘Leave No Trace’
Isabella McRae
Jul. 23
‘V/H/S/94’ and the anthology horror film
Reece Goodall
Jul. 21
Last Night I Watched: ‘On Chesil Beach’
Noah Keate
Jul. 20
Can trailers spoil a movie?
Beth Lee
Jul. 18
Top Content
- 1Nosferatu: An unconvincing iteration of a horror classic
- 2From mystical forests, ancient river gods, to giant post-apocalyptic bugs: Studio Ghibli’s poignant environmentalism
- 3Blink Twice: A feminist horror that failed to escape its own traps
- 4Blue nights, loneliness and longing in ‘All We Imagine as Light’
- 5Mickey 17: a sad but hopeful examination of the state of the world
- 6Kneecap: Outrageous in English, unforgettable as Gaeilge
- 7The mad titan of cinema: Looking back on the MCU
- 8Parikrama: a thought-provoking yet flawed look at India’s Narmada River
- 9The Dragon Lives Again: a ’70s martial arts multiverse
- 10A place both wonderful and strange: looking back on the films of David Lynch