Review: global sensation ‘Stomp’ comes to Warwick
Well, you’ll never look at a broomstick or bin in the same way again after this. That said, I can’t...
Read More
Arts
Should we consider the context of art?
Reece Goodall
Jan. 29
The ‘Art’ of the Deal: Tristram Hunt’s resignation
Bethan Ackerley
Jan. 27
‘Batty’, but brilliant – ‘Die Fledermaus’ review
Alpana Sajip
Jan. 20
“Challenging traditional pedagogy”: Marissa Beatty on Creative Warwick
Alexei Warshawski
Jan. 16
The one-man show fighting homophobia in sport
James Roberts
Dec. 18
Freshblood’s ‘Thoughts Better Left Unsaid’ is “honest and powerful”: review
Jemimah Gilpin
Dec. 17
Government slashes funding for Creative Access
Bethan Ackerley
Dec. 15
Top Content
- 1The art world’s most renowned woman: the story behind Mona Lisa
- 2“A step on from anything you have seen”: Motionhouse’s Daniel Massarella on Hidden ahead of its Warwick Arts Centre premiere
- 3A campaign against AI: What can artists do to protect their work?
- 4Spotlight on Ana Mendieta: Celebrating female artists
- 5Reading between the seams: Lisbon Metro as a museum, how my year abroad commute has been romanticised
- 6Blackpool’s Icon – The Eiffel Tower of the North
- 7What’s on stage? A rundown of the most unexpected shows hitting the West End
- 8Natasha, Pierre, and the Great Comet of 1812 makes its UK debut at the Donmar Warehouse
- 9Can You Teach Me How to “Leave”? (And come watch again!): Freshblood is of“fish”ally back in the Warwick Arts Centre
- 10Hamlet sets sail: Shakespeare’s Prince of Denmark tackles treachery and the Titanic at the Royal Shakespeare Company