Are the arts intrinsically linked to our national identity?
Following the fire at Notre Dame, Mischa Alexander explores the potential dangers posed by the link between art and national identity.
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Arts
Can horror make a good musical?
Reece Goodall
Jun. 12
“A fast-paced, energetic comedy”: a preview of ‘A Chorus of Disapproval’
Jasmine Parker
Jun. 10
Absolutely unmissable: a review of Opera Warwick’s ‘The Beggar’s Opera’
Rachel Blackburn
Jun. 7
Comedy comes to Kasbah: what’s it all about?
Rhys Clarke
Jun. 5
A mourning and a warning: a review of Rabbit’s Head’s ‘BU21’
Rhys Clarke
Jun. 4
A pub night like no other: a preview of ‘The Beggar’s Opera’
Rachel Blackburn
Jun. 3
Accessible Theatre: the work that still needs to be done
Lydia Atkins
Jun. 2
Top Content
- 1The art world’s most renowned woman: the story behind Mona Lisa
- 2Natasha, Pierre, and the Great Comet of 1812 makes its UK debut at the Donmar Warehouse
- 3Can You Teach Me How to “Leave”? (And come watch again!): Freshblood is of“fish”ally back in the Warwick Arts Centre
- 4Reading between the seams: Lisbon Metro as a museum, how my year abroad commute has been romanticised
- 5What’s on stage? A rundown of the most unexpected shows hitting the West End
- 6Much Ado About Nothing: Bard meets Barbie
- 7“A step on from anything you have seen”: Motionhouse’s Daniel Massarella on Hidden ahead of its Warwick Arts Centre premiere
- 8Hamlet sets sail: Shakespeare’s Prince of Denmark tackles treachery and the Titanic at the Royal Shakespeare Company
- 9Lord of the Flies reigns supreme in the Warwick Arts Centre studio
- 10A campaign against AI: What can artists do to protect their work?