Has the Edinburgh Fringe Festival become too commercialised?
Liam Gould questions whether the move towards commercialisation at the Edinburgh Fringe festival will help or hinder small shows.
Read More
Arts
Is selfie culture ruining our art galleries?
Reece Goodall
Sep. 21
Princess Diana musical – dignified drama or a royal flop?
Izzy Conway
Sep. 16
Da Vinci discovery: the importance of lost art
Jasmine Morris
Sep. 4
Box-ticking and last-minute modifications: the inaccessibility of art galleries
Elspeth Walker
Aug. 27
The Fringe controversy: exploitation in Edinburgh
Rhys Clarke
Aug. 23
Should you be allowed to take photos in art galleries?
Reece Goodall
Aug. 13
Is there any foreseeable end to the popularity of ‘Phantom of the Opera’?
Tenikah Beveney
Aug. 7
Top Content
- 1The art world’s most renowned woman: the story behind Mona Lisa
- 2Blackpool’s Icon – The Eiffel Tower of the North
- 3Spotlight on Ana Mendieta: Celebrating female artists
- 4A campaign against AI: What can artists do to protect their work?
- 5Can You Teach Me How to “Leave”? (And come watch again!): Freshblood is of“fish”ally back in the Warwick Arts Centre
- 6Reading between the seams: Lisbon Metro as a museum, how my year abroad commute has been romanticised
- 7Lord of the Flies reigns supreme in the Warwick Arts Centre studio
- 8Natasha, Pierre, and the Great Comet of 1812 makes its UK debut at the Donmar Warehouse
- 9What’s on stage? A rundown of the most unexpected shows hitting the West End
- 10“A step on from anything you have seen”: Motionhouse’s Daniel Massarella on Hidden ahead of its Warwick Arts Centre premiere