A guide to the films of Studio Ghibli
Dominic Thornton offers a comprehensive guide to the films of Studio Ghibli, which recently appeared in the Netflix catalogue.
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Dominic Thornton
The Bad Boys are back in town…
Bad Boys, Bad Boys, whatcha gonna do (for your third movie?). Dominic Thornton reviews the latest installment in the franchise.
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The battle for Best Picture
As the 92nd Academy Awards loom, our writers make a case for each one of this year's nine Best Picture nominees.
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“Does he even know how to direct?”: When actors become directors
Dominic Thornton examines the implications of actors becoming directors, questioning the motives behind such career changes.
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‘6 Underground’ is pure, unapologetic Bayhem
Dominic Thornton reviews the Michael Bay-directed Netflix Original '6 Underground', starring Ryan Reynolds.
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‘Little Women’ just want to have fun…
Dominic Thornton reviews Greta Gerwig's 'Little Women,' emphasising the fun and warmth of this adaptaton of Louisa May Alcott's classic novel.
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‘Jojo Rabbit’ is a catastrophic misfire
Dominic Thornton reviews Taika Waititi's anti-hate satire 'Jojo Rabbit', starring Scarlett Johansson and Sam Rockwell.
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The best films of the decade
As the decade draws to a close, Boar Film writers make a case for their favourite films of the last ten years.
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British politics on the big screen
In the wake of the general election, three writers select the films they believe best interact with contemporary British politics.
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Anna Karina obituary
Dominic Thornton remembers Anna Karina, the prominent French New Wave actress, who has died at the age of 79.
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Oscar season is approaching: Separating the best from the bait
With awards shows in the near future, Dominic Thornton takes you through 2019's most likely contenders for Oscar season.
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‘Terminator: Dark Fate’ is the series’ best since ‘Judgement Day’
Dominic Thornton reviews 'Terminator: Dark Fate', a surprisingly refreshing entry into a franchise that refuses to die.
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Stop Making Sense 35 Years Later: Still The Quintessential Concert Film
“Hi. I’ve got a tape I wanna play” is how David Byrne opens his defining live album. He lays down a beatbox and begins an acoustic version of the immortal classic 'Psycho Killer' completely alone. A man and his music.
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