The ‘unstageable’ made stageable: Paperback review
You’d think that after spending a good 4000 words and several months labouring over the book in my final year...
Read More
Arts
‘Falling in love with musical theatre all over again’: ‘Follies’ review
Jemimah Gilpin
Feb. 11
Are emojis killing language?
Lara Carroll
Feb. 2
Review: global sensation ‘Stomp’ comes to Warwick
Daljinder Johal
Feb. 2
Should we consider the context of art?
Reece Goodall
Jan. 29
The ‘Art’ of the Deal: Tristram Hunt’s resignation
Bethan Ackerley
Jan. 27
‘Batty’, but brilliant – ‘Die Fledermaus’ review
Alpana Sajip
Jan. 20
“Challenging traditional pedagogy”: Marissa Beatty on Creative Warwick
Alexei Warshawski
Jan. 16
Top Content
- 1A dark fairy tale: The Red Shoes arrives at the Royal Shakespeare Company
- 2A campaign against AI: What can artists do to protect their work?
- 3Natasha, Pierre, and the Great Comet of 1812 makes its UK debut at the Donmar Warehouse
- 4“A step on from anything you have seen”: Motionhouse’s Daniel Massarella on Hidden ahead of its Warwick Arts Centre premiere
- 5Lord of the Flies reigns supreme in the Warwick Arts Centre studio
- 6Root, form and body: an exploration of the Peggy Guggenheim Sculpture Garden
- 7Where do our loyalties lie? Just Stop Oil and the value of art
- 8Stories beyond the script: Assassins and the curse of mythmaking
- 9Threads of Time: The fabrics of 90s and 00s Britain, a cultural history of ‘Cool Britannia’
- 10Reading between the seams: How silent comedy still stands in the ‘Age of LOL’