An Interview with the cast and crew of ‘Three, Three, Three’
The Warwick student led cast and crew of "Three, Three, Three" tells the Boar about their creative process, inspirations and more.
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Eleanor Burgess
An ode to The Bread Oven
A dusty copy of The Boar dips and dives across the empty grey wasteland of the piazza. A flattened Purple cup stirs in the icy breeze. The doors to the Oculus jerk and jam. Tragedy has struck, campus is silent: The Bread Oven has closed its doors. This off-brand Subway...
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Yaki so-bad: why Wagamama is overrated
My personal hatred for Wagamama is almost indescribable. It’s quite impossible to articulate the many reasons I have for despising this meagre high street chain in so many as 700 words. But I will try my hardest. Despite being one of the only takeaways that delivers to campus, Wagas only...
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Students Saving Our Theatres Interview: “we could do something about it if they weren’t going to”
Warwick University Drama Society members have set up a new initiative to raise funds for theatres struggling amid the pandemic. I spoke to one of the initiative’s founders, Lucy Chamberlain, to find out about their campaign. What is Students Saving Our Theatres? “Students Saving Our Theatres is a national...
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‘Cats’ is nightmarish, but deserves respect
Eleanor Burgess reviews Tom Hooper's 'Cats', a feature-film adaptation of the Andrew Lloyd Webber musical.
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“A reminder to walk in the light”: a review of ‘Prism’
Eleanor Burgess reviews 'Prism' at the Birmingham Repertory Theatre and asks Robert Lindsay a few questions about playing the lead role.
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“Fabulousness in false lashes”: a review of Le Gateau Chocolat’s ‘Icons’
Eleanor Burgess reviews drag queen Le Gateau Chocolat's show 'Icons' at the Warwick Arts Centre.
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The rise of McTheatre
Eleanor Burgess discusses the phenomenon of McTheatre and whether theatre is becoming too commercialised.
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