Chillingly relevant and nauseatingly readable: ‘Leave the World Behind’ by Rumaan Alam review
Niall Hawkins reviews Rumaan Alam's 'Leave the World Behind', an intense thriller fitting for the current crisis we find ourselves in.
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Niall Hawkins reviews Rumaan Alam's 'Leave the World Behind', an intense thriller fitting for the current crisis we find ourselves in.
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Niall Hawkins appreciates the improvements made upon the first season of 'Black Summer' in its latest instalment despite its simple storyline.
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Niall Hawkins delves into the NFT craze and what this means for the art world.
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Niall Hawkins celebrates the creative pulse of contemporary society that is adult animation.
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Niall Hawkins shares the experience of watching post punkers Shame rock out in Covid-secure style.
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Niall Hawkins contemplates the future of the Labour party and the volatile political climate in the wake of the "great, emotional" interview between Keir Starmer and Piers Morgan.
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Niall Hawkins reviews the second album from experimental genre smashers Black Midi.
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Writer Niall Hawkins finds Zack Snyder's new film to be a passable bit of escapism but little more.
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Amidst the criticism and universal recognition of 'The Simpsons'' decline, Niall Hawkins looks back on its glory days by sharing his five best episodes of the once groundbreaking series.
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Niall Hawkins argues that the recent violent outbursts on the streets of Belfast are a product of the Government's lack of competency and care regarding both Irish relations and Ireland's history of sectarianism.
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Niall Hawkins discusses his relationship with vinyl records.
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Three writers share their favourite albums to study with during exam season.
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Niall Hawkins writes on the recent protests in Belfast and what they indicate about Brexit's impact upon peace in Northern Ireland
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