Handbagged review: “a whistle-stop tour of the 80s”
The use of political satire as a form of social commentary and as a comedic art tends to fluctuate over...
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Arts
A Pacifist’s Guide to the War on Cancer review: “Emotional, refreshing and honest”
Azzurra Moores
Mar. 3
The Winslow Boy review: let down by taking “the safer option”
Alex Arnold
Mar. 1
“Broader cultural exploration”: discovering art on Erasmus
George Alldred
Feb. 27
Drag is an art form and a political statement
Jen Tombs
Feb. 25
Revolt. She Said. Revolt Again. Interview: activism, feminism and the theatre
Imogen Cooper
Feb. 22
‘Resolution’: Warwick’s first ever transmedia experience
Pablo Aguera
Feb. 20
Brilliant Adventures review: comic, conscientious and convincing
Georgie Head
Feb. 17
Black Men Walking review: “A powerful exploration of race in modern day England”
Branca Lessa de Sá
Feb. 14
“Sacrificing emotional sincerity for technical invention”: Brief Encounter review
Anonymous
Feb. 11
Brilliant Adventures interview: “A gaggle of glorious males” with a hidden message
Jessie Kolvin
Feb. 9
Top Content
- 1Natasha, Pierre, and the Great Comet of 1812 makes its UK debut at the Donmar Warehouse
- 2“A step on from anything you have seen”: Motionhouse’s Daniel Massarella on Hidden ahead of its Warwick Arts Centre premiere
- 3Lord of the Flies reigns supreme in the Warwick Arts Centre studio
- 4A dark fairy tale: The Red Shoes arrives at the Royal Shakespeare Company
- 5Spotlight on Ana Mendieta: Celebrating female artists
- 6A campaign against AI: What can artists do to protect their work?
- 7Why Michael Sheen is funding a new National Theatre in Wales
- 8Central Warwickshire’s top galleries: A guide to navigating the art scene in the heart of Shakespeare’s county
- 9The value of creativity at Warwick, according to Sequoia Zine
- 10A celebration of art in all its form: How the revival of the Warwick Student Arts Festival brought a summer of joy to campus