Maisie Peters’ The Good Witch review: a noticeable step-down from her debut
Sophie Flint Vázquez reviews Maisie Peters' second album, The Good Witch.
Read More
Music
The Age of Pleasure by Janelle Monáe review: an exposé of sticky summer hedonism
Erin Lewis
Jun. 19
“There’s darkness within all of us, but it’s nothing to be scared or ashamed of”: an interview with Squid
Erin Lewis
Jun. 17
Tina Turner obituary: the world wept as revolutionary R&B soul singer passed at 83
Taylor Green
Jun. 16
Unpacking Frank Ocean’s Coachella disaster
Dan Nobbs
Jun. 15
Funeral song: the reasons why music is always there while under mounting feelings of grief and sadness in our lives
Taylor Green
Jun. 14
O Monolith by Squid review: one of the most sonically cohesive and interesting albums of 2023 so far
Erin Lewis
Jun. 2
The little-known 50-year-old band you should be paying attention to: the Equatics
Taylor Green
Apr. 30
Panic! at the Disco – 10 years of Too Weird to Live, Too Rare to Die!
Erin Lewis
Apr. 26
Did you know there’s a tunnel under Ocean Blvd proves Lana Del Rey’s ability to continue crafting engaging albums so far into her career
Erin Lewis
Apr. 7
Celebration or parasite: should tribute bands be taken seriously?
Ellie Mitchell
Apr. 7
Top Content
- 1Bruce Springsteen’s ‘Born to Run’: Fifty years on, it’s still the benchmark
- 2Spotlight On: Callum Spencer
- 3The Weekend’s album ‘Hurry Up Tomorrow’ is testament to his storytelling
- 4Can Kanye come back from this controversy?
- 5Essential empowerment anthems for International Women’s Day
- 6Irish musicians you should be listening to ahead of St Patrick’s Day
- 7Cage the Elephant deliver an effortlessly charismatic set at Wolverhampton’s The Halls
- 8How to get into: Prog rock
- 9Pink Floyd’s Wish You Were Here shines on, 50 years later
- 10Bradley Simpson’s debut ‘The Panic Years’ breaks genre boundaries