Healing from breakups by decentering men
Amoy Daley shares her experience with healing from breakups by decentering men from her life.
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Amoy Daley
Honour, heroism and home: ‘A Winter War’ by Tim Leach Review and author interview
'A Winter War' is the latest novel from Warwick Writing Programme graduate and now Associate Professor, Tim Leach. Amoy Daley gives a rating of 4.5 stars to this historical novel, and also interviews Leach on his writing process.
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Is there ever a bright side for billionaires?
Amoy Daley delves into the ethical questions surrounding billionaires.
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‘Love Island’? More like Sham Island: ‘Love Island’ 2021 review
Amoy Daley reviews the latest series of 'Love Island', expressing how it was, by all accounts, a train wreck.
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‘Four Sisters’: review and interview
Amoy Daley chats to the writers and actors of The Hope Theatre's latest production, 'Four Sisters', and reviews their modern take on the classic story of Little Women.
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Marvel’s massive step: ‘Loki’ review
Amoy Daley appreciates the ambitious leap in the MCU in 'Loki'.
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The joy of music about adolescence
Off the back of Olivia Rodrigo's rapid rise to popularity, Amoy Daley considers the merits and appeal of listening to music about the teenage experience.
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A toxic industry: the scale of sexual abuse of female popstars
After Lady Gaga shared her story of sexual abuse in the music industry, Amoy Daley examines the scale of the problem at large.
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The enticing illusion of reality TV
Amoy Daley takes us through the addictive otherworldly allure of reality TV.
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Are there issues with a commercialised Pride?
Amoy Daley looks at whether rainbow capitalism is a good or bad thing for the LGBTQIA+ community
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‘Them’: “unsettling and unnecessary”
Amoy Daley criticises the Amazon Prime series 'Them', feeling the show is "unnecessary".
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How the pandemic altered shopping patterns
With stores opening up again, Amoy Daley discusses the effects the pandemic has had on the battle between online and physical shopping.
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The limits of colour-blind casting
Amoy Daley expresses how despite the praise 'Bridgerton' has garnered for its bold deployment of colour-blind casting; it still demonstrates the inherent fear directors have of alienating white audiences, and the practice generally is simply not enough of a facilitator for talented non-white actors.
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