The evolution of Warwick Art Society: an interview with the President
Warwick Art Society is a shining example of creativity and inclusivity on campus. As one of the many vibrant societies...
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Arts
The Boar Magazine: Creative Submissions
Archi Adhikari
Jan. 29
Glorious! shows at the Loft Theatre in Leamington Spa
Emilia Sullivan
Jan. 24
Natasha, Pierre, and the Great Comet of 1812 makes its UK debut at the Donmar Warehouse
Harriet Curry
Jan. 19
Reading between the seams: How silent comedy still stands in the ‘Age of LOL’
Aanya Sisodia
Jan. 16
Threads of Time: The fabrics of 90s and 00s Britain, a cultural history of ‘Cool Britannia’
Willow Nair
Jan. 10
Wait for me, I’m coming to the West End: Original Broadway cast of Hadestown returns
Aanya Sisodia
Jan. 9
A campaign against AI: What can artists do to protect their work?
Ariana Bird
Jan. 8
Stories beyond the script: Assassins and the curse of mythmaking
Naoise McDevitt
Jan. 7
Giant spiders, stuffed animals and monstrous performance: Weird worlds in Tate’s 2025 exhibition programme
Marcus Stalmanis
Jan. 4
Reading between the seams: What a drag? The evolution of pantomime, costume and characters
Aanya Sisodia
Jan. 3
Top Content
- 1The art world’s most renowned woman: the story behind Mona Lisa
- 2“A step on from anything you have seen”: Motionhouse’s Daniel Massarella on Hidden ahead of its Warwick Arts Centre premiere
- 3Natasha, Pierre, and the Great Comet of 1812 makes its UK debut at the Donmar Warehouse
- 4Lord of the Flies reigns supreme in the Warwick Arts Centre studio
- 5Spotlight on Ana Mendieta: Celebrating female artists
- 6What’s on stage? A rundown of the most unexpected shows hitting the West End
- 7Reading between the seams: Lisbon Metro as a museum, how my year abroad commute has been romanticised
- 8Hamlet sets sail: Shakespeare’s Prince of Denmark tackles treachery and the Titanic at the Royal Shakespeare Company
- 9Can You Teach Me How to “Leave”? (And come watch again!): Freshblood is of“fish”ally back in the Warwick Arts Centre
- 10A campaign against AI: What can artists do to protect their work?