No Questions Asked: Caryl Churchill’s Triumph at the Almeida
Hideous violence and alluring ideology are predictable lovers. It’s a pairing that’s bound to stir up romance. But soon it’s disturbed. For it turns each into cannibals, half-eaten in their death dance. I’m reminded of the neurotic, doomed revolutionaries in Dostoyevsky’s Demons and Toni Morrison’s Song of Solomon. The youngest and the...
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