A celebration of East and Southeast Asian creatives: Marguerite Pan’s triumphant creation of Sequoia Zine
14 June was a regular term three weekday, but the Ramphal Building was busier than anywhere else on campus. Over...
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Arts
Three Spires Guildhall’s Legally Blonde delights at the Warwick Arts Centre
Matthew Randell
Jul. 2
Rising Stars: The journey of Hart & Sparks Theatre Company from Warwick to the Edinburgh Fringe
Abigail Mableson
Jun. 29
A charming and fun student Pantomime: Warwick Pantomime Society present Jack and the Beanstalk
William Moores
Jun. 24
A taste of Revolution: Chicken Soup with Barley is served at the Warwick Student Arts Festival
Abigail Mableson
Jun. 23
A barrel of laughs: Last Orders serves up hilarity and havoc amid arrival at the Edinburgh Fringe
Aanya Sisodia
Jun. 22
Birds of a feather…boa? A review of Pigeon Theatre’s Bird Watching
Aanya Sisodia
Jun. 21
The extinction of the campaign poster in the digital age: A 2024 General Election special
Ruby Deakin
Jun. 20
A night of laughter and charm: Rediscovering the joy of theatre with The Government Inspector
Jacob Olie
Jun. 15
Colour Connection: in conversation with Tine Bech, the artist behind Warwick’s newest sculpture
Grace Goodwin
Jun. 14
The albums on my wall: discussing the artistry behind my favourite album covers
Peggy Griffiths
Jun. 14
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- 3Lord of the Flies reigns supreme in the Warwick Arts Centre studio
- 4“A step on from anything you have seen”: Motionhouse’s Daniel Massarella on Hidden ahead of its Warwick Arts Centre premiere
- 5What’s on stage? A rundown of the most unexpected shows hitting the West End
- 6Spotlight on Ana Mendieta: Celebrating female artists
- 7Reading between the seams: Lisbon Metro as a museum, how my year abroad commute has been romanticised
- 8Can You Teach Me How to “Leave”? (And come watch again!): Freshblood is of“fish”ally back in the Warwick Arts Centre
- 9Hamlet sets sail: Shakespeare’s Prince of Denmark tackles treachery and the Titanic at the Royal Shakespeare Company
- 10Wait, is this Wuh-Luh-Wuh? Gender, performance, and queerness in Zhejiang’s Yue Opera