Reviving the dancefloor: an exploration of the resurgence of forgotten hits
Abigail Mableson discusses the power of film and TV in recirculating
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Music
What makes a great cover?
Dan Nobbs
Feb. 22
20 years on, Franz Ferdinand sounds just as good
Thomas Bartley
Feb. 21
In defence of owning albums
Anna Barnard
Feb. 21
Pet Needs explore the experience of touring in explosive new album Intermittent Fast Living
Alex Bird
Feb. 20
The Mysterines live review: a band with great potential, but they haven’t fulfilled it – yet
Sophie Flint Vázquez
Feb. 19
What’s behind this new wave of conservative music?
Erin Lewis
Feb. 18
Crawlers’ debut album cements their position as ones to watch in the music scene
Lucy Gibbons
Feb. 16
Mayday Parade energise Birmingham’s O2 Academy with raucous pop punk
Sophie Flint Vázquez
Feb. 15
State Champs’ electrifying set at Birmingham’s O2 Academy proves the band are still at the top of their game
Sophie Flint Vázquez
Feb. 15
IDLES’ new album TANGK melds great musicality with the realities of personal life
Taylor Green
Feb. 15
Top Content
- 1The shrinking and growing of song lengths
- 2Celebrating the Lionesses’ Euros win with Serge at Tramlines
- 3This is America, still: The value of protest music
- 4Royel Otis’ ‘hickey’: The perfect soundtrack for summer
- 5“I was making music while doing a million different things”: A conversation with Nxdia
- 6Rock en Seine: A triumph of music over censorship
- 7Queens of the Stone Age at Rock en Seine: rock ‘n’ roll royalty bring mosh pits to the Parisian suburbs
- 8Risqué but cautious? Sabrina Carpenter’s ‘Man’s Best Friend’ is not as subversive as it seems
- 9“It’s a lot more stripped back”: Pale Waves’ Heather Baron-Gracie on their upcoming ‘Still Smitten Tour’
- 10“A project to listen to with your eyes closed”: ROREY on her upcoming EP ‘Dysphoria’