The Manifold Marvel Model
Luke Whitticase ponders the effectiveness of the interconnected 'cinematic universe' model introduced to Hollywood by Marvel Studios, which is now widely mimicked by their competitors.
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Luke Whitticase
Inside Out
Luke Whitticase reviews Inside Out, Pixar's first film in two years that marks a return to stellar form from the animation studio, with an instant classic bound to make adults cry like little babies.
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Jurassic World
Luke Whitticase reviews the long awaited, grandiose 4th installment of the Jurassic Park franchise, 'Jurassic World', a "vibrant and frightening new addition to the canon".
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Tomorrowland: A World Beyond
Luke Whitticase reviews visionary director Brad Bird's ambitious and optimistic 'Tomorrowland: A World Beyond' - an enjoyable film that pushes large ideas, but falters in its approach to storytelling.
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Mad Max: Fury Road
Luke Whitticase reviews George Miller's Mad Max: Fury Road, a "monstrous, awe-inspiring" sequel 30 years in the making.
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Kingsman: The Secret Service
Luke Whitticase looks at the newest British spy escapade
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The Hobbit: The Battle of the Five Armies
The latest and final instalment of The Hobbit series comes to screens as yet another drawn out end to a series that promised so much. Luke Whitticase sees it as 'good enough'
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The Babadook
"The Babadook" is "is one of the most unsettling, frightening and emotionally charged films of the year", writes Luke Whitticase.
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Game over man, game over
Luke Whitticase investigates whether Alien: Isolation provides the true xenomorph experience.
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The Inbetweeners 2
Luke Whitticase explains why The Inbetweeners 2 may actually be better than the first
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Review: The Swapper (PSN)
Luke Whitticase reviews The Swapper, the darkly philosophical space platformer recently ported to PSN.
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Review: Wolfenstein: The New Order
The enduring villains are back - but is it this endurance that's making Wolfenstein stale? Luke Whitticase finds out
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Dawn of the Planet of the Apes
Luke Whitticase reviews the eagerly anticipated summer blockbuster and calls it 'one of the best films of the year'.
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