IDLES’ politically charged lyricism comes to life at the O2 Academy Birmingham
Erin Lewis reviews IDLES' recent gig at the O2 Academy in Birmingham.
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Erin Lewis
Tyler, The Creator’s ‘CHROMOKOPIA’ is one of his strongest works to date
Erin Lewis reviews Tyler, The Creator's latest release, 'CHROMOKOPIA'.
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You are not that singer’s best friend!: The dangers of parasocial relationships in the music industry
Erin Lewis writes about the dangers of parasocial relationships, surrounding the recent controversy with Chappell Roan.
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Texas are still on top form at Utilita Arena Birmingham
Erin Lewis reviews Texas' gig at Utilita Arena in Birmingham on September 13th.
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Fontaines D.C find ‘Romance’ in misery in their fourth album
Erin Lewis reviews Fontaines D.C's fourth album, Romance.
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Sabrina Carpenter’s ‘Short n’ Sweet’ is the culmination of years of hard work
Erin Lewis reviews Sabrina Carpenter's latest release, Short n' Sweet.
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Men Who Hate Women: A Review
“I would fight in the front lines of the bloodiest battle the world has ever seen and come back with no limbs if it meant that it would guarantee me an ugly fat chick for life”- “Advanced”, Shy Boys IRL by Sara Gardephe These words were part of my first...
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His Lordship deliver pure rock ‘n’ roll at the Hare & Hounds in Birmingham
Erin Lewis reviews His Lordship's recent gig at the Hare & Hounds in Birmingham.
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St. Vincent exhibits raw emotion and cutting lyricism in new album ‘All Born Screaming’
Erin Lewis reviews St Vincent's latest release 'All Born Screaming'.
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Warwick’s own musical talent shines during Offbeat gig
Erin Lewis reviews Offbeat's most recent In The Margins gig.
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Why we should burn the play version of A Little Life
Hanya Yanagihara’s 2015 novel ,A Little Life, has always been a controversial text. Following the life of four friends (Malcolm, JB, Willem, and Jude) in New York over the span of 40 years, the text delves into sexual and physical abuse, art, self-harm, aging, disability, queer identity, drug addiction, trauma,...
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What’s behind this new wave of conservative music?
Erin Lewis explores the new wave of conservative music spreading through America.
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I Always Cry at Weddings
Gaudy, fluorescent lights flood the room and occasionally beam onto my face before swanning after its next target. I neck down the last drink on the table, whether it was mine or not was irrelevant – no one else was touching it. I can always regret it later. The drone...
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