Rob Ottey reviews the student-written play Daisy Cutter by Ollie Jones, performed in the Arts Centre Studio, week three
Philip Ridley's Mercury Fur sends shivers down the spine whilst breaking down the psychological barrier between fiction and reality
Early February saw Warwick Arts Centre Studio serve up an utterly scrumptious feast of theatricality …
Carl Cerny discusses Northern Broadside’s philosophy with Barrie Rutter
Good things come in small packages: Daniel Barrow finds Coventry’s Inigo Purcell’s one-act short and sweet
Beckett is certainly not what one would call family theatre, yet it is this inaccessibility …
Wednesday starts properly for me with a phone call from Cara Verkerk at 13:48 inviting …
A Midsummer Night’s Dream (nearly) wins Daniel Mumby over.
In my three years at Warwick I have seen a lot of plays, and many …
For the first time in its career, the RSC premieres a production under a different roof from its own: ours. Chris Christmas asks if it was worth it.
The idea of taking a show on tour to Ireland is a new one for …
Kat Hobbs looks at the European premiere of Elephants Graveyard at the Warwick Arts Centre last week.
“I know how this one ends,” complained one reluctant theatre- goer to an RSC programme …
What happened in Dedorograd? Well you might ask, writes Sam Kinchin-Smith…
Student drama is the closest thing to a glamour industry on campus, but what's it really like treating the boards in a student play? Find out in this riveting exposition by insider Ollie Turner.
Rob Ottey reviews the student-written play Daisy Cutter by Ollie Jones, performed in the Arts Centre Studio, week three
Rachel Osborne is unimpressed by the visual displays of Kellerman
In the Royal Shakespeare Company’s current production of Shakespeare’s Twelfth Night, or What you Will …
For the first time in its career, the RSC premieres a production under a different roof from its own: ours. Chris Christmas asks if it was worth it.
The idea of taking a show on tour to Ireland is a new one for …
Student drama is the closest thing to a glamour industry on campus, but what's it really like treating the boards in a student play? Find out in this riveting exposition by insider Ollie Turner.
Carl Cerny discusses Northern Broadside’s philosophy with Barrie Rutter