Raskit – ‘A Dizzee Rascal Renaissance’ showing an uninhibited sense of identity
When Dizzee Rascal released Boy in Da Corner in 2003, what struck listeners most was that he seemed to run rings around every single instrumental. The highest compliment to give Rascal’s most recent effort, the first album in 4 years, is that he still has that power. Yet with Raskit, Dylan Mills only...
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