Into the Woods
Director: Rob Marshall
Cast: Meryl Streep, Emily Blunt, Johnny Depp
Length: 124 minutes
Country: USA
Another year, another live-action Disney film. And although the animation giant has had some misses (see Maleficent and Alice in Wonderland for examples of how not to remake classics), Into The Woods is a surprisingly well-made adaptation of the award-winning Stephen Sondheim musical, subtly blending the charm we’ve come to expect from the studio that basically created modern fairy-tales and the inherent darkness present in the original.
It’s the casting where Disney shine. Meryl Streep’s Witch is easily the standout character (as always), bringing the vital presence need- ed for a character often awarded to veteran Broadway performers. But the rest of the cast sparkle as well, although Johnny Depp’s turn as the Big Bad Wolf is somewhat lacklustre in a film populated by standout individuals and amazing chemistry – a song with sexual undertones just doesn’t land correctly when you’re singing it about an actual child, so maybe we can forgive him.
Disney is still capable of producing clever and enjoyable entertainment for children of all ages
James Corden is a bit of a surprise star, proving himself to be remarkably watchable and capable of carrying a lead role, as well as building on successes such as Esio Trot. For an actor who started with such an iconic role in Gavin and Stacey, his recent triumphs have proven that he has remarkable range and ability. Even cameo roles are famous faces, with Frances de la Tour and Christine Baranski playing the Giantess and Evil Stepmother respectively. Importantly, the cast plays off each other – instead of relying on one star to carry the film, we’re provided with an ensemble performance that sparkles at every turn.
It’s also worth noting the sheer beauty of the film. Every costume is clearly handmade, although some seem to be magically created, adding to the appeal of the characters and working well with the gorgeous sets. Although we see glimpses of human civilisation in the chocolatebox village and refreshingly realistic castle, the woods are clearly the centre of the story. Ranging from fetid swamps to sunlit glades, there’s a variety that helps reflect the different moods of the characters, many of whom are inexplicably drawn to them time and time again. 
Although the violence and sheer sexuality of the stage production is toned down, this remains an immensely enjoyable film, showing that Disney is still capable of producing clever and enjoyable entertainment for children of all ages, harking back to what Walt always wanted his films to be. Through a remarkable combination of savvy casting, gorgeous production details and a respect for the original material, the House of Mouse has produced a splendid adaptation that will be sure to delight anyone who watches it.
Images: Walt Disney Studios
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