The Best of Sherlock

A Study in Pink by Steven Moffat (2010)

“The name’s Sherlock Holmes and the address is 221b Baker Street.”

No article on the best episodes of Sherlock could exist without including the story that introduced us to the man himself, and his loyal best friend. The stunning visuals that have become stylistically unique to Sherlock make their first appearance here, such as the use of text on the screen. The London backdrop and use of modern-day technology make this tale of a taxi driver with murderous intentions a thrilling introduction, with a tantalising first mention of ‘Moriarty’ thrown in for good measure. Sherlock’s unique methods of deduction intrigued and entertained us, and the first appearance of Mycroft and his umbrella was equally as unforgettable. The episode also introduces us to Lestrade, Sally Donovan, Molly and Anderson, who have since become fan-favourites. An excellent first outing for our favourite super-sleuth.

The Reichenbach Fall by Stephen Thompson (2012)

“My best friend, Sherlock Holmes, is dead.”

This is probably my favourite episode to come out of Sherlock so far, purely for its level of ambition. What other show would be able to incorporate master criminal Moriarty breaking into the Tower of London and chilling on a throne, a plot similar to the storyline of ‘Hansel and Gretel’ involving a spooky kidnapping, and the mysterious appearance of ‘Richard Brook’, Moriarty’s ‘normal’ alter-ego, into only ninety minutes? Even more impressive is its cliff-hanger, which to my knowledge is one of the best in the history of television. The events leading up to it are genuinely emotional, and make you realise just how much Sherlock and John need each other. The moment Sherlock jumped off of that hospital was the most exciting and epic thing to ever have happened on a television show, ever. Fact.

The Empty Hearse by Mark Gatiss (2012)

“Oh, please. Killing me? That’s so two years ago.”

Choosing an episode from series three was hard, but this one has the edge due to its introduction of everyone’s favourite Mary Morstan, John’s kick-ass girlfriend (later wife). Sherlock coming back ‘from the dead’ and being greeted in a far from friendly manner makes for spectacular viewing, as does the visually magnificent fire that John is buried under later in the episode. If that wasn’t enough, the explanation behind how Sherlock faked his own death is brilliant in that it is never fully confirmed. One of the suggestions includes a plot between Moriarty and Sherlock, in which they end up kissing. The scenes in which Anderson breaks down are a joy to behold, and the confrontation between Sherlock and John on a tube train is powerful stuff. Pure brilliance from start to finish.